Creating Objects For plasmarental

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Creating Objects
Now that you know how to create basic classes, creating objects (or instances)
based upon them is the logical next step. Creating a variable that contains an
object takes two steps. First, like any variable, you must declare the variable
name for the object and its type somewhere in your program. You perform this
step by using the class name as the data type and whatever name you want for
the variable. The following code is an example of this process for the Vehicle
class:
http://greateventsupport.com/
Vehicle myVehicle;
At this point, much like an array, nothing is in the variable yet. All you have
done is state that eventually myVehicle will contain an object. Next you need
to create the object.
Creating Objects
Now that you know how to create basic classes, creating objects (or instances)
based upon them is the logical next step. Creating a variable that contains an
object takes two steps. First, like any variable, you must declare the variable
name for the object and its type somewhere in your program. You perform this
step by using the class name as the data type and whatever name you want for
the variable. The following code is an example of this process for the Vehicle
class:
http://greateventsupport.com/
Vehicle myVehicle;
At this point, much like an array, nothing is in the variable yet. All you have
done is state that eventually myVehicle will contain an object. Next you need
to create the object.

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For plasmarental You want to move a movie clip in front of or behind another movie clip

Problem
You want to move a movie clip in front of or behind another movie clip, button, or text field. plasmarental
Solution
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Use layers or the arrangement commands to adjust the order of instances at authoring time.
Use the swapDepths( ) method to change the stacking order of any two instances at runtime. plasmarental
Discussion
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When you are working with multiple movie clip, button, and/or text field instances on the stage at the same time, you need to be aware of their stacking order. For example, if you have a movie clip that is supposed to animate behind a text field, you need to make sure that the text field appears in front of the movie clip. You can make these kinds of adjustments at authoring time either by placing the instances on different layers and arranging the layer order or by changing the order using the arrangement commands. You can move an instance forward or back by selecting the instance and then choosing Modify Arrange Bring Forward/Send Back/Bring to Front/Send to Back.
The authoring time techniques work just fine when you want to maintain a constant stacking order of all the instances in the movie. But when you want the order to change, you need to use ActionScript to effect that change at runtime using the swapDepths( ) method. In some cases, it is important that you be able to programmatically change the depths of instances in this way. For example, if you create a puzzle in which the user can drag the pieces around on stage, you want to make sure that the piece that is currently being dragged appears on top of all the other pieces. http://greateventsupport.com/filezilla/file-views/index.html
In order to understand how to use swapDepths( )a relatively easy methodyou first need to understand how Flash determines stacking order. For the convenience of the developer, Flash uses layers within the authoring environment. However, the exported SWF does not contain any information about layers. Instead, it knows only about depths: whole number values determining the stacking order. Every instance in the movie is assigned its own depth whether you assign it explicitly using the attachMovie( ), duplicateMovieClip( ), createEmptyMovieClip( ), or createTextField( ) methods, or whether it is done automatically for all authoring time instances. But regardless of how the instances are created, they all must have a unique depth. The depth determines the stacking order in which they appear on the stage. An instance of greater depth appears on top of an instance of lesser depth.
http://greateventsupport.com/filezilla/asciibinary/configuration.html

You can use the swapDepths( ) method to switch the depths of any two instances. You should invoke the method from one of the instances, and pass a reference to the other instance to the method as a parameter. For instance, if you want to switch the depths of two movie clips on the same timeline named mSquare and mCircle, your code could look like this:
mSquare.swapDepths(mCircle);

The preceding example could also be written:
mCircle.swapDepths(mSquare);

Both the examples result in the same thingthe two movie clip instances change positions in the stacking order.

http://greateventsupport.com/freehand/replacing-missing/resources-learning-freehand.html
There are many scenarios in which you may want to change the stacking order of instances in your movie. One common example was mentioned earlierensuring that the movie clip that is selected or being dragged appears on top of all the other instances. And another example is that of creating animations that appear to move in three dimensions. For example, if you have two movie clips that appear to spin in a loop along the z-axis (meaning they seem to move back into the screen), you need to make sure that the movie clip that is currently appearing to be nearer to the viewer has a higher depth.
Here is a simple example with two movie clip instances named circle and square on the main timeline. The two movie clips are slightly overlapping. The circle movie clip has the following actions:http://greateventsupport.com/freehand/freehand-lessons/index.html

mCircle.onPress = function():Void {
this.swapDepths(mSquare);
};

In this example, each time the user clicks the circle, the circle and square appear to change order. You can also create a slightly more intelligent system by which the circle is always brought to the front of the square when it is clicked by adding a conditional statement that uses the getDepth( ) method to compare the current depths of the two movie clips. In this slightly modified code, the depths are changed only if the depth of mCircle is not already greater than the depth of mSquare:

For Multifinance You want to move a movie clip in front of or behind another movie clip

Problem
You want to move a movie clip in front of or behind another movie clip, button, or text field. Multifinance
Solution
FlashMX MultiRental.3pod rental sewa projector proyektor lcd infocus plasma soundsistem jakarta proudly present http://greateventsupport.com/filezilla/local-file-list/menus-and-toolbars.html
Use layers or the arrangement commands to adjust the order of instances at authoring time.
Use the swapDepths( ) method to change the stacking order of any two instances at runtime. Multifinance
Discussion
FlashMX MultiRental.3pod rental sewa projector proyektor lcd infocus plasma soundsistem jakarta proudly present http://greateventsupport.com/filezilla/proxy/site-manager.html
When you are working with multiple movie clip, button, and/or text field instances on the stage at the same time, you need to be aware of their stacking order. For example, if you have a movie clip that is supposed to animate behind a text field, you need to make sure that the text field appears in front of the movie clip. You can make these kinds of adjustments at authoring time either by placing the instances on different layers and arranging the layer order or by changing the order using the arrangement commands. You can move an instance forward or back by selecting the instance and then choosing Modify Arrange Bring Forward/Send Back/Bring to Front/Send to Back.
The authoring time techniques work just fine when you want to maintain a constant stacking order of all the instances in the movie. But when you want the order to change, you need to use ActionScript to effect that change at runtime using the swapDepths( ) method. In some cases, it is important that you be able to programmatically change the depths of instances in this way. For example, if you create a puzzle in which the user can drag the pieces around on stage, you want to make sure that the piece that is currently being dragged appears on top of all the other pieces. http://greateventsupport.com/filezilla/file-views/index.html
In order to understand how to use swapDepths( )a relatively easy methodyou first need to understand how Flash determines stacking order. For the convenience of the developer, Flash uses layers within the authoring environment. However, the exported SWF does not contain any information about layers. Instead, it knows only about depths: whole number values determining the stacking order. Every instance in the movie is assigned its own depth whether you assign it explicitly using the attachMovie( ), duplicateMovieClip( ), createEmptyMovieClip( ), or createTextField( ) methods, or whether it is done automatically for all authoring time instances. But regardless of how the instances are created, they all must have a unique depth. The depth determines the stacking order in which they appear on the stage. An instance of greater depth appears on top of an instance of lesser depth.
http://greateventsupport.com/filezilla/asciibinary/configuration.html

You can use the swapDepths( ) method to switch the depths of any two instances. You should invoke the method from one of the instances, and pass a reference to the other instance to the method as a parameter. For instance, if you want to switch the depths of two movie clips on the same timeline named mSquare and mCircle, your code could look like this:
mSquare.swapDepths(mCircle);

The preceding example could also be written:
mCircle.swapDepths(mSquare);

Both the examples result in the same thingthe two movie clip instances change positions in the stacking order.

http://greateventsupport.com/freehand/replacing-missing/resources-learning-freehand.html
There are many scenarios in which you may want to change the stacking order of instances in your movie. One common example was mentioned earlierensuring that the movie clip that is selected or being dragged appears on top of all the other instances. And another example is that of creating animations that appear to move in three dimensions. For example, if you have two movie clips that appear to spin in a loop along the z-axis (meaning they seem to move back into the screen), you need to make sure that the movie clip that is currently appearing to be nearer to the viewer has a higher depth.
Here is a simple example with two movie clip instances named circle and square on the main timeline. The two movie clips are slightly overlapping. The circle movie clip has the following actions:http://greateventsupport.com/freehand/freehand-lessons/index.html

mCircle.onPress = function():Void {
this.swapDepths(mSquare);
};

In this example, each time the user clicks the circle, the circle and square appear to change order. You can also create a slightly more intelligent system by which the circle is always brought to the front of the square when it is clicked by adding a conditional statement that uses the getDepth( ) method to compare the current depths of the two movie clips. In this slightly modified code, the depths are changed only if the depth of mCircle is not already greater than the depth of mSquare:

For plasmarental Creating New Movie Clips Based on Existing Movie Clips

plasmarental
Recipe 11.9. Creating New Movie Clips Based on Existing Movie Clips
Problem
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You want to create a duplicate movie clip instance based on an existing instance.
Solution
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Use the duplicateMovieClip( ) method.
Discussion
FlashMX MultiRental.3pod rental sewa projector proyektor lcd infocus plasma soundsistem jakarta proudly present <http://greateventsupport.com/fireworks/changing-paths-appearance/changing-swatch-groups.html>

With the duplicateMovieClip( ) method, you can quickly create duplicates of movie clip instances already on the stage. This method creates a copy of the movie clip instance from which it is invoked with a new instance name and depth:
// Create a new movie clip named mNewInstance based on the movie clip named
// originalInstance that already existed on the stage. The new movie clip is
// created at depth 1.
mOriginalInstance.duplicateMovieClip("mNewInstance", 1);

Additionally, you can specify a third, optional parameter for the duplicateMovieClip( ) method. This parameter is known as the initialization object, and the properties and values of the initialization object are assigned to the new instance. The parameter value should be in the form of an ActionScript Object object, which you can create one of two ways: <http://greateventsupport.com/filezilla/file-views/index.html>
· Using the constructor and assigning properties and values via dot notation:
· var oInitialization:Object = new Object();
· oInitialization.property1 = "value1";
· oInitialization. property2 = "value2;

· Using the object literal notation:
· var oInitialization:Object = { property1: "value1", property2: "value2"};

Both of these techniques are absolutely valid, and neither is better than the other. Sometimes you may find that you want to use the object literal notation, because it allows you to create the object in line with the duplicateMovieClip( ) method:
mOriginalInstance.duplicateMovieClip("mNewInstance", 1, { property1: "valeu1",
property2: "value2"});

However, in other cases, the object literal notation is either inconvenient or impossible. Generally, the more properties you want to assign to an object, the more it makes sense to use the constructor technique, because it offers a much more readable format. <http://greateventsupport.com/freehand/freehand-lessons/freehand-tutorial.html>
var oInitialization:Object = new Object();
oInitialization. property1 = "value1";
oInitialization. property2 = "value2";
mOriginalInstance.duplicateMovieClip("mNewInstance", 1, oInitialization);

The initialization object, or init object, can be extremely useful in at least two ways:
· You can use the initialization object to initialize the new instance with its own values for built-in movie clip properties, such as _x, _y, _rotation, and so on. By default, the duplicate retains the values for these properties from the original movie clip.
· // Create a duplicate movie clip positioned at 300,300.
· mOriginalInstance.duplicateMovieClip("mNewInstance", 1, {_x: 300, _y: 300});

· You can use the init object to initialize a new instance with copies of the custom method definitions (such as event handler methods) of the original movie clip. By default, custom method definitions are not copied from the original to the duplicate movie clip. However, you can use a for… in loop to populate an initialization object with all the custom properties and methods of the original movie clip, and then pass that initialization object to the duplicateMovieClip( ) method:
· // Create the init object.
· var oInitialization:Object = new Object();
·
· // Use a for…in loop to loop through all the custom properties and methods of
· // the original movie clip instance, and add them to the init object.
· for(var sItem:String in mOriginalInstance) {
· oInitialization [sItem] = mOriginalInstance[sItem];
· }
·
· mOriginalInstance.duplicateMovieClip("mNewInstance", 1, oInitialization);

You can use a for statement to create multiple duplicates at the same time. The basic syntax is as follows:
for(var i:Number = 0; i < numberOfDuplicates; i++) {
originalInstance.duplicateMovieClip (newInstanceName, depth);
}

When you create the new movie clips, make sure each has a unique instance name and a unique depth. Typically, you can generate unique instance names by concatenating the for statement's index variable value with a base name. For example, you might use a base name of mSquare and concatenate that with the value of the for statement's index variable to get instance names of mSquare0, mSquare1, mSquare2, and so on. Then, for the depth, you can either use the value of the for statement's index variable or you can use the getNextHighestDepth( ) method that is discussed in plasmarentalplasmarentalRecipe 11.10. The following example creates five duplicates with instance names mSquare0 through mSquare4:
for(var i:Number = 0; i < 5; i++) {
mSquare.duplicateMovieClip("mSquare" + i, i);
}

<http://greateventsupport.com/freehand/swatches-panel/system-requirements.html> When you generate duplicate movie clips in batches as shown in the preceding code, you may notice that you don't have a very convenient way to refer to the new instances. When you create a single duplicate with a specific name, you can refer to the new movie clip quite simply. For example, the following code creates a duplicate of mCircle with an instance name of mNewCircle. Then it applies an onPress( ) event handler method to the new movie clip.
mCircle.duplicateMovieClip("mNewCircle", 1, {_x: 100, _y: 100});
mNewCircle.onPress = function():Void {
trace("You clicked on mNewCircle.");
};

However, when you use a for statement to create the duplicates with dynamic instance names, you need a different way to refer to the new movie clips. For example, if you are creating duplicate movie clips with instance names mSquare0, mSquare1, mSquare2, and so on, you cannot use the following code to assign an onPress( ) event handler method to them after you've created them:

For plasmarental You want to convert bitmap graphics to vector art.

Problem
plasmarental
Solution
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Use Modify Trace Bitmap.
Discussion
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Flash excels with vector graphics; most of its tools are designed to edit them and Flash is optimized to work with them. Vector graphics are also scalable, in contrast to bitmap graphics, which usually lose quality when scaled (especially when scaled up). Finally, due to their editability, vector graphics are easier to animate, since you can reshape them nondestructively. Using Flash's trace feature, you can convert any bitmap graphic to vector shapes.
As promising as this conversion may sound, tracing bitmaps is often not a viable solution. For highly detailed bitmaps, such as most digital photographs, vector graphics are inferior in almost every significant way to bitmaps, including editability, file size, and image quality.
To reproduce an image using vector graphics, Flash draws vector shapes. If an image is relatively simple, with large regions of a single color, Flash can easily render the image using shapes. But if the image is detailed and intricate, as most photographs are, Flash has to draw many extremely small shapes. At some point, the overhead of creating and drawing tiny shapes becomes more file size and processor-intensive than the original pixels. And if the resulting vector shapes are larger than a pixel, the image has less detail than the bitmap, which means that it doesn't look as good.
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If you are considering vectorizing a bitmap, you ought to examine your motivations. If you want to vectorize the bitmap for stylistic purposes, that's a good reason. Another good reason to vectorize a bitmap is because you want to use shape tweens on the shapes that constitute the bitmap. However, if you want to vectorize the bitmap to save file size, you're very unlikely to achieve that particular goal unless the bitmap has very few colors and consists primarily of simple shapes.
If you determine that you do want to vectorize the bitmap, complete the following steps: plasmarental
1. Drag a bitmap instance onto the stage.
2. Select it with the Selection tool. Do not break it apart.
3. Choose Modify Bitmap Trace Bitmap from the main menu.
4. Enter appropriate settings in the Trace Bitmap dialog box, as follows:

Color Threshold
Determines how close colors have to be to be considered the same color and represented in the same shape. The lower the number, the more intolerant Flash is of color differences, resulting in more vectors, higher file size, and higher visual fidelity. The range is 1 to 500, with each number representing the difference in RGB colors between two pixels. The default value is 100.

Minimum Area
Determines how many surrounding pixels Flash considers when analyzing a pixel. This affects how large the resulting shapes are. Higher numbers merge more pixels together into single shapes, resulting in lower image fidelity and smaller file sizes. The range is 11000, and the default is 8.

Curve Fit
Controls how much smoothing Flash applies to curves. The drop-down menu has six increasingly smooth settings, ranging from Pixels to Very Smooth. Higher smooth settings result in lower fidelity to the original bitmap and smaller file sizes. The default setting is Normal. <http://greateventsupport.com/filezilla/proxy/>

Corner Threshold
Controls how much sharp corners are smoothened. The drop-down menu has three settings, ranging from Many Corners to Few Corners. The middle option, Normal, is the default. plasmarental
5. Click OK. Depending on the settings you entered and your computer's processing capabilities, the tracing could take several seconds or minutes. When the tracing is finished, the original bitmap is replaced with the vector version of the image.
6. If desired, you can delete the bitmap from the library.
Tracing bitmap images requires you to balance the competing needs of file size and simplicity, on the one hand, and fidelity to the original image on the other. The process usually requires trial and error. Remember to use Edit Undo to bring an image back to its original state, so you can try again.
One strategy for tracing bitmaps is to trace two instances of the same bitmapone using low settings (yielding high quality), and one using high settings (yielding simple shapes). Then composite the two versions together using the high-quality source for important areas of the graphic and the low-quality source for less important parts of the graphic.
When you have traced a bitmap, you can sometimes further optimize the vectorized version using the Optimize feature in Flash. To use the feature, select the entire shape you want to optimize (e.g., the entire vectorized version of the bitmap) and select Modify Shape Optimize. The Optimize Curves dialog box will appear, prompting you for a few settings before it runs. Set the Smoothing slider based on how much you want Flash to smooth out the curves in the shape. Generally, the more smoothing you apply, the less it will resemble the original, but the greater the reduction in file size. Because you can undo after running the Optimize feature, you can use trial and error to find the setting that is most appropriate for your artwork. The Use Multiple Passes feature will automatically run the optimization repeatedly until it has determined that the shape is fully optimized. Typically, you will find it helpful to keep the Use Multiple Passes option checked unless you find that it is
optimizing too much. When you've got the settings as you want, click the OK button to run the optimization. Depending on the complexity of the shape, it may take a second, or it may take many seconds. Once the optimization is done, deselect the shape on stage to see the effect. If it is acceptable, you don't need to take any further steps. If the optimization rendered the shape unrecognizable, you can undo and reapply with different settings.
If the Optimize feature didn't get enough of a file size reduction, you can still further optimize the shape using the smooth and straighten features. Using the Selection tool, select the traced bitmap shape. Then click on the Smooth or Straighten buttons at the bottom of the Tools panel. Or, optionally, choose Modify Shape Smooth or Modify Shape Straighten from the menus. You can apply smooth or straighten more than once. But check after each application to make sure that the traced bitmap shape still looks recognizable. http://greateventsupport.com/filezilla/gss/

The following sequence of images shows the differences between different versions of a traced bitmap. The first is the original bitmap before being traced. When exported in the SWF, the bitmap in the example accounts for 56KB. The second image is a version that has been traced with a color threshold of 50, minimum area of 4 pixels, curve fit of normal, and corner threshold of normal. When exported in the SWF, the traced bitmap artwork accounts for 44KB. The third image is an optimized version of the second. The optimization was run with the smoothing set to maximum and using multiple passes. When exported in the SWF, the artwork accounts for 31KB. And the fourth image is a version of the third with further smoothing applied. When exported in the SWF, it accounts for 26KB.